If you haven’t read my first edition of arena lighting, check it out here. It goes over some important background information. So, it’s important that you read it first. Now that you’re all caught up I’ll continue.
Like the team roping photos, I started shooting ambient light. But that’s really not the best indoors because the quality and direction of light is far from ideal. Because it’s so dark in there it’s I’m forced to bump up my ISO even though I’m shooting at f/2.8. I have to use shutter speed to freeze action. Which kills the amount of light coming in. Therefore I’m in the same situation where I need to bring in my own lights.
The good news is that I use so many lights for team roping that I have plenty of options for barrel racing too. They function the same either way. Unfortunately, it’s much more difficult to get them far enough away to light everything evenly because of the inverse square law discussed in the Team Roping Edition. Also, I shoot from a different location for barrel racing than I do for team roping. I shoot from inside the area for barrels. I sit just off the fence near the electric eye on the second barrel side. I shoot with a long lens so I can sit pretty far back which helps get an optimal angle for the classic shot around the second barrel and it’s easier to cross light the barrel racers.
If you read my blog post about lenses you’ll already know that I shoot with a 120-300mm on my full frame 1DX Mark II. If not and you’re interested check it out here. I love this lens because I can shoot further back than I could before when I was using the 70-200mm. It’s also f/2.8 throughout the zoom range and it’s top notch glass quality. I like to give my customers options for different looking shots. As an added benefit, it makes it much easier to create interesting custom collages because we have shots with completely different looks.
For the setup. I started using four strobes but it wasn’t long before I added a fifth one. As you’ll see in the following lighting diagram I place strobes all over the place. Haha! I always start with the key light on second barrel (Strobe 1). I aim it so that it doubles as the fill light for the first barrel as well as expose the background behind the first barrel. This requires precise control over my strobes. Which is one more reason why I went with Profoto. I can adjust them in 1/10th of a stop increments instead of 1/3rd of a stop increments. I will then set up the fill light for the second barrel (Strobe 2). I place it over by the first barrel because it’s the key light for the first barrel. These two strobes have a similar position and power. I’m using broad light for the second barrel shot and short light on the first barrel. I do this partly out of necessity but it’s great to have some variety. To finish up the second barrel, I set up a rim light on the second barrel that sits behind the second barrel and basically points back towards me (Strobe 3). The second benefit of this light is to bump up the exposure on the first barrel and run home shots.
BARREL RACE 1I start by getting the light right for second barrel. BARREL RACE 2Then the fill light for second barrel. BARREL RACE 3This is considered a 3 point light setup for 2nd barrel.
The third barrel gets two strobes of its own (Strobes 4 & 5). These lights are positioned further down the arena a little further past the halfway point between the first two and the third barrel. These lights light up the background for all the photos, the third barrel shots, and some of the run home shots. That makes five strobes all popping at once. They have a super short flash duration so they are hardly noticeable.
BARREL RACE 4 and 5
Thanks for reading my blog! It was a super short one today since it was an add on to yesterday’s blog about Team Roping arena lighting. Links to more blog posts at the bottom of the page.
Below are some examples. Hover over to learn more.
Classic 2nd Barrel ShotYou can see the highlight on horse and rider's right side (camera left). That's from strobe 3. It's a rim light. First Barrel Short LightYou can see the key light coming from camera right. If you notice the barrel you can see 3 highlights. One from each light hitting it.
3rd BarrelFor third barrel I'm aiming for a more even lighting setup. For those who don't love the more dramatic lighting.
Running Home!Running home shots are in my sweet spot most of the time. Great lighting without any extra effort or gear.